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The film still holds up well, especially in its moody cinematography and stark, black-and-white images of zombie arms reaching through the windows of a rural farmhouse.
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There hasn’t been a zombie movie made in the last 50-plus years that hasn’t been influenced by it in some way, and you can barely hold a conversation on anything zombie-related if you haven’t seen it-so go out and watch it, if you haven’t. Romero’s impact on zombies is of that exact same caliber.
It’s essentially the horror equivalent of what Tolkien did for the idea of high fantasy “races.” After The Lord of the Rings, it became nearly impossible to write contrarian concepts of what elves, dwarves or orcs might be like. Those rules essentially categorize every single zombie movie from here on out-either the film features “Romero-style zombies,” or it tweaks with the formula and is ultimately noted for how it differs from the Romero standard.
The only way to kill a zombie is to destroy the brain. Zombies are unthinking, tireless and impervious to injury. Zombies are compelled to eat the flesh of the living. More importantly, it established all of the genre rules: Zombies are reanimated corpses. George Romero’s cheap but momentous movie was a quantum leap forward in what the word “zombie” meant in pop culture, despite the fact that the word “zombie” is never actually uttered in it. What more can be said of Night of the Living Dead? It’s pretty obviously the most important zombie film ever made, and hugely influential as an independent film as well. Stars: Judith O’Dea, Duane Jones, Marilyn Eastman, Karl Hardman, Judith Ridley, Keith Wayne Rarely has the danger of success been so clearly illustrated for an artist-Shyamalan crafted a scary film that still holds up today, and then spent most of the next decade chasing that same accomplishment with rapidly diminishing returns that have only recently been rehabilitated with the likes of Split. Night Shyamalan’s career, and its success was a double-edged sword: It bestowed the “brilliant young director” label on him, but also pigeonholed his personal style as a writer to the extent that his next five features at least were all reshaped by the aftershocks of The Sixth Sense. For better or worse, though, this is the defining film of M. Critical examination aside, it truly is a frightening film, from the scene where Cole is locked in a box with an abusive ghost to the little moments (I always found the scene where all the kitchen cabinets and drawers open at once while off-screen to be particularly effective). Stars: Bruce Willis, Haley Joel Osment, Toni Collette, Olivia Williamsįeaturing great performances by Bruce Willis and Haley Joel Osment, along with a legitimately chilling atmosphere, The Sixth Sense was nothing short of a phenomenon when it hit multiplexes in 1999. Here are the 40 best horror movies on Amazon Prime: The best horror movies streaming on Shudder The best horror movies streaming on Netflix You may also want to consult the following horror-centric lists: Therefore, fall back on our list of films that are worth your time for one reason or another-just don’t expect to find them via browsing. Sure, it’s no surprise that something like Train to Busan is now on Amazon Prime, but the service is also packed with more obscure 1980s slashers than you can wave a machete at. The trick is realizing those movies are there at all. Slowly but surely, they’ve built one of the biggest (and most random) horror streaming libraries. That said, Amazon subscribers have access to a wealth of riches, many of them hiding in plain sight. If you’ve been paying attention, then you know this is only compounded by the fact that the “browse” function on Amazon Video is completely and utterly broken. But we’ve never really experienced a library with just as much junk and treasure in it as the Amazon library. After drawing up huge rankings of the best horror movies on Netflix and the best horror movies on Hulu, it’s safe to say we’ve gotten used to the challenge of diving through the refuse of a streaming service and searching for the gems.